Many characteristics of a transformer are *distributed*.
There is capacitance between turns of a winding, for example,
that is evenly distributed along the winding.
A transformer model can be substantially simplified if the distributed capacitance is *lumped* into a single, ideal capacitor.
Here is a lumped-element model of a real-world output transformer.^{1}

- C
_{P}= primary shunt and distributed capacitance - L
_{P}= primary leakage inductance - R
_{PW}= primary winding resistance - R
_{CL}= resistance as a result of core (eddy current and hysteresis) losses - L
_{M}= primary winding inductance - C
_{PS}= primary-to-secondary inter-winding capacitance - L
_{S}= secondary leakage inductance - R
_{S}= secondary winding resistance - C
_{S}= secondary shunt and distributed capacitance - R
_{L}= load resistance across the secondary - N
_{1}= number of turns in the primary winding - N
_{2}= number of turns in the secondary winding

At the core of the model is an ideal transformer formed by N_{1} primary windings and N_{2} secondary windings.

New! Guitar Amplifier Electronics: Fender Deluxe - from TV front to narrow panel to brownface to blackface Reverb |

At midrange frequencies the large magnetizing inductance and the capacitances are open circuits and the small winding inductances are short circuits. This gives us just the pure resistances shown here.

To simply the notation, let's define *n = N _{1}/N_{2}* to be the

where *R _{P}* is equal to

Notice that there are no inductances or capacitances in this circuit, only pure resistances.
The output is in-phase with the input.
If there are no transformer losses, then *R _{PW} = 0*,

which is the relationship for an ideal transformer. For the lossy circuit, on the other hand, we get an attenuated output of

Guitar Amplifier Electronics: Basic Theory - master the basics of preamp, power amp, and power supply design. |

For audio transformers operating over midrange frequencies,
the voltage losses due to winding resistance are more important than core losses,
and current is relatively unaffected.^{2}
This gives us this approximate circuit.

The output voltage is approximately

Manufacturers describe midrange losses in terms of efficiency and insertion loss.
Transformer *efficiency* is defined as the output power *P _{out}* divided by the total
power

Fundamentals of Guitar Amplifier System Design - design your amp using a structured, professional methodology. |

Consider, for example, the Amplimo BV Type 3A524 output transformer.
According to its data sheet, *R _{P} = 3.545kΩ*,

The *insertion loss* is the power loss induced into the circuit by the addition of the
transformer. It is equal to the output power relative to the input power, measured in dB.^{3}
For the 3A524, for example, we get

At low frequencies, the primary winding inductance *L _{M}* is a significant factor,
so the circuit looks more like this.

The inductance *L _{M}* is very high, usually on the order of several hundred henries.
Its reactance

Guitar Amplifier Electronics: Circuit Simulation - know your design works by measuring performance at every point in the amplifier. |

At high frequencies, especially when the transformer is driven by pentodes or beam power tetrodes,
things become more complicated.
The midrange frequency circuit needs to be modified to include the total leakage inductance reflected
in the primary and the equivalent winding
shunt capacitance *C _{eq}* that are shown here,
where

The resistance due to core losses *R _{CL}* comes from eddy currents and hysteresis and is
about as large as the plate resistance of a pentode or beam power tetrode.
The inductance and capacitance in the circuit cause increasing attenuation with increasing frequency.
The voltage in a capacitor lags the current through it by 90 degrees, so when combined with
the effects of the leakage inductance we get the opposite phase angle effect that we observed at low frequencies.

^{1}F. Langford-Smith, ed., **Radiotron Designer's Handbook**, 4th ed., (Harrison: RCA, 1953), p. 204.

^{2}F. Langford-Smith, ed., **Radiotron Designer's Handbook**, 4th ed., (Harrison: RCA, 1953), p. 206.

^{3}Edward C. Jordan, ed., **Reference Data for Engineers: Radio, Electronics, Computer, and Communications**,
7th ed., (Indianapolis: Howard W. Sams, 1985), pp. 13-14.

^{4}**Reference Data for Radio Engineers**, 3rd ed., (New York: Federal Telephone and Radio Company, 1949), p. 198.

Copyright © 2005-2023 Amp Books LLC

All Rights Reserved

All Rights Reserved